Critiques sur Guntur Sari

The influence of Mâche’s study with Messiaen permeates this highly virtuose piece. Scintillating manual figuration that expands and contracts in mathematical proportions, complex rhythms (including frequent syncopation and one true example of additive rhythms), constant chromaticism with numerous cross-relations, cluster chords woven into florid passages of intricate polyphony, tritone relationships alluding to the « Petrushka » chord, and an entire section reminiscent of Dieu parmi nous all pay homage to Mâche’s teacher. The work was conceived for the four-manual Silbermann organ at Ribeauvillé, the specifications for which are provided in the preface. Mâche exploits its array of tone colors with lightning-fast changes of registration, including alternations between contrasting timbres on different manuals. It is appropriate only for patient, methodical learners ! but those who surmount its intellectual and technical challenges will find the work gratifying.

Ann Marie Rigler, Wayne State College, Wayne, Nebraska,  The Diapason, décembre 1999